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(Image credit: TNT) How Nightmares & Dreamscapes’ “Autopsy Room Four” Differs From The Short Story Katie Arlen illegally hands the lead on the autopsy to her handsome intern Peter, on whom she has a crush, Howard desperately tries to figure out a way to show that he is alive before a large pair of scissors is used to cut through his sternum and open his chest cavity. Howard can’t so much as twitch a finger as he is brought in a body bag from the golf course to the morgue, but he is fully cognizant of everything that is going on around him.
Theme hospital auto autopsy full#
The side effect of the venom is instant full body paralysis, but an elderly doctor who first attends to him misses his heartbeat and declares him dead upon the discovery of his body.
While playing a round at the Derry Municipal Country Club, he is bitten by a snake while hunting for an errant ball. “Autopsy Room Four” is wholly told from the perspective of Howard Cottrell – a stock broker, a golf fanatic, a Michael Bolton look-alike, a Vietnam veteran, and a man presumed dead. When my own thoughts turned to this subject, a more – shall we say modern? – method of communicating liveliness occurred to me, and this story was the result. He eventually had a eureka moment: the “dead body” could get an erection. As much as he appreciates Joseph Cotton’s life-saving tear, Stephen King writes in Everything’s Eventual that “touching isn't in usual repertoire,” and so he started thinking about a different way that a doctor could discover that a corpse isn’t actually a corpse. What actually made the whole thing come together, though, was figuring out the ending. Not being one to hide his influences, Stephen King mentions this Alfred Hitchcock Presents episode multiple times in his short story. They are on the verge of doing a postmortem on him – cutting him up while he's still alive and screaming inside, in other words –when he produces one single tear to let them know he's still alive. Injured so badly, in fact, that the doctors think he's dead.
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When I was a kid of seven or so, the scariest TV program going was Alfred Hitchcock Presents, and the scariest AHP – my friends and I were in total agreement on this – was the one starring Joseph Cotten as a man who has been injured in a car accident. Titled “Breakdown,” it was directed by Hitchcock himself, and King recalls being terrified by it in his note about “Autopsy Room Four” in Everything’s Eventual.
Theme hospital auto autopsy series#
Stephen King fans, however, know him from a very different role in a very different production, having played adult Bill Denbrough in the beloved 1990 IT miniseries.Įveryone has heard spooky legends about coffins being dug up in cemeteries and found to have scratch marks on the inside, but for Stephen King, the version of a premature burial story that long stayed with him was the seventh episode of the 1955 anthology series Alfred Hitchcock Presents. Playing protagonist Howard Cottrell in the adaptation is Richard Thomas – who audiences of older generations may know best as John-Boy on The Waltons. “Autopsy Room Four” is also part of that legacy (not counting the fact that its supporting cast includes Robert Mammone, who is also in “The Fifth Quarter”). And next week I’ll be taking a look at “You Know They Got A Hell Of A Band” starring Steven Weber, who played Jack Torrance in 1997’s The Shining miniseries, directed the Outer Limits episode “The Revelations Of 'Becka Paulson,” and is also in Desperation. “ The Fifth Quarter” created a female lead character for Samantha Mathis to play, and it was a role that not only followed her performance in 2004’s Salem’s Lot miniseries, but preceded her work in the first season of Under The Dome. “The End Of The Whole Mess” is the first Stephen King adaptation to feature Henry Thomas, and in subsequent years he has played parts in Mick Garris’ Desperation and the Mike Flanagan-directed duo of Gerald’s Game and Doctor Sleep.
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